Heisenbyng

On that Breaking Bad hype.

Yes Mr White. Yes Science!

Cannon Hill Lectures 2.0

As a new dawning of the Cannon Hill Collective approaches, I think it's about time I posted the new designs to accompany CHC's sister project; the Cannon Hill Lectures. A shorter sharper season of fortnightly sessions this time around, I drew on some of my particularly ballsy Two Word Pep-Talks to visually provoke a sense the adventure, discovery, and wonder these lectures conjure: a sense that anything was possible.

   

    

This time I focused on making the typography into a stronger part of the project's identity, opting for a 3-D block text that emphasises and places value on each word as an individual unit, even amidst such a playful multi-coloured palette. For me the postcards essentially almost designed themselves, each session linking to a different childhood dream occupation tucked away in my little noodle:

Getting You Creative Project Off The Ground - Tue 8th Oct

Knowing Your Audience - Tue 22nd Oct

Build Your Own Festival - Tue 5th Nov

How to not Give Up on your Creative Career - Tue 19th Nov

Skills for the 21st Century - Tue 3rd Dec

I would also like to cite Mr. Benn as a direct influence on this series, as each day when stepping out of his house he could be anyone he wanted, in any time or place, be it a medieval knight, lion tamer or an intergalactic space traveller dressed in purple. Like him we can choose our own path, and heaven forbid it should be a well-trodden or dull one.

Bostin Fittle: Eating Out In Birmingham

As lots of fresh faces enter Birmingham to be quickly transformed from P.Y.T.s into fantastically grotesque student beings, Area Guide invited me to form part of the welcome committee by writing an article about where Brum's best bites to eat can be obtained. This was an easy one for me and rather handily justified a year of plentiful eating out (score). Priding myself on rediscovering my city a fair bit since moving back from Bournemouth, it was nice to highlight some of the amazing independent eateries I've come across as well as relishing (chortle) the opportunity to draw one of my most beloved foods of all: the burger.

Burgers & Buns

I was asked by a lovely fellow AUB graduate to create a lavish poster for her upcoming burlesque night down Bournemouth way. Entitled The Great Exhibitionists of Boscombe the event is part of The Great Exhibition of Boscombe weekender, in association with Bournemouth Arts by the Sea festival.

Featuring quirky story-led burlesque performances such as Felicity Future's Dr. Furore's Laboratory and The Matador by Luna Peach, my first few design ideas didn't really hit the mark. Wanting to suggest burlesque in general rather than depicting an individual act, I inadvertently showcased a more traditional strand of feather-fan burlesque that the event was keen to shake up. Easily solved with the right image of the headliner and a vicious all-nighter, the response to the poster has been great, but I'll always have a soft spot for the faceless anti-venus and other fleshy casualties that I created along the way.

via instagram

Rude Food Fiesta: A Bit Of A Mouthful

This weekend I offered my services to a food festival with a difference. The latest event from Companis, Rude Food Fiesta invaded Edible Eastside promising lots of naughty treats and tricks to get taste buds in a twist. Granted, allotments are normally quite filthy places, but this weekend's antics definitely got a few hands and minds dirty, taking the site's seedy and soiled ratings right up to 'X'.

AAA

Today I started a new job.

That may not sound like so much of a big of deal, but as someone who has hopelessly sent out a silly amount of applications for innumerable professions since graduating a year ago, to be invited to join the good ship mac was pretty darn tooting glorious. I started a new notebook on the day of my interview and not only did that unavoidably feel like a new chapter or a new term, but now perhaps it turns out that between the lines, lies some bloody great luck.

Lary, Hairy, Legendary

My love affair with mac birmingham continues as they presented me with their Brief of the Year; to design an eye-catching flyer for local legend Jack Parker's upcoming gig. Having seen him (and his hair) hyping amiably at One Beat Saturday I knew straight away what I wanted to do with the design :¬) By playing around with showing part of his face yet keeping him wholly recognisable, I feel I have captured Jacky P as a character - the alien-like whip-haired Brummie icon that the people know and love.

Jack is a big advocate for midlands-based bands, so if you want to hear what my homeland has to offer these days check out his radio show, yo!

Still Life

Flyer Design by Louise Byng. Cover Image '8pm' © Kate Brinkworth

So this week it was our turn to step up to the curation plate. With Marlene Smith to guide and council us, me and my curator comrades Jade Foster, Lizzie Smith and Elizabeth Stansfield have hastily devised and produced 'Still Life', an exhibition exploring how cinematic images can generate nostalgia for spaces and times that we haven't experienced. Initially being mutually inspired by a few key pieces that were presented to us by the artists, a Laura Mulvey quote cemented the context in which we wanted to show them together: "Behind the movement of cinema is the stillness of the individual frame."

It was quite a tough project at first because me, Jade, Beth & Lizzie were very different practitioners at different stages of our development and at times our selection process and changeable plan of action became a bit exhausting. With opposing approaches and opinions in the group, countless pieces of art were deliberated over, but after a lot of pitching, a little begging and a smidge of secretly hiding pieces of work (desperate measures) the result was a true group exhibition with a new individual voice created from many. The challenge of the process led to a more considered outcome than I could ever have achieved alone, and heck, by the end we had all gone a bit barmy, fallen in love with each other and formed a killer girl band called The Chevrons.

Beth said it best ~

Elizabeth Stansfield ‏@estansfieldI had such a blast working on #theopenproject with @ByngSquirrel @MagicFace_ and @jayjayblackk . A new family of hysteria and creativity.

We suddenly had become the most sentimental group by far, celebrating Marlene's birthday with a charming caterpillar cake and collecting photographs and other traces from the exhibition to share with the audience. Aside from this disgraceful bout of genuine cuteness, one of the most successful parts of the show was our use of Curator's Corner, where we wrote quotes from the selected artists' statements on the wall and invited the public to explore what Still Life means to them through an interactive yet losely focused brainstorm; a technique that worked well and generated some interesting discussions about the new impacts of documenting our existence, such as life being narrated through social media.

L-R: George Allen 'A BBC Building That Is Now A Car Park'; Robin Pugh 'Locus 14'; Richard Haig 'Code'

We're all very proud of what we made here together and I know I learnt a lot from working with my three crazy ladies on such a fast-paced gallery bonanza. A huge thank you to everyone who visited the show, every single artist that submitted work and took the time to talk to us about it, and all the kind mac minions that helped us along the way.

Viva la Chevrons.

Look With All Your Eyes

As well as taking part in The Open Project as a young curator, I also used the submission day as an opportunity to gain experience in pitching my drawings to a gallery team. I submitted this piece from my Please Wait... series, and discussed with the other teams why I had drawn it and why I thought this was important. Much to my delight and surprise one group chose to exhibit my entry; its unusual ambiguous gaze happening to fit nicely into their theme of questioning, pulling apart and reshaping the way in which art can be viewed:

The contemporary gaze is greedy; it diminishes the value of the seen.

"In ‘Look With All Your Eyes’ the curatorial team hold up a mirror to reflect upon how art is experienced. They have selected artworks that appear to restrict the act of looking. Be it a visual, sensual, physical or mental restriction, this translates to real life and the way in which audiences interact and view the world."

An interesting concept well executed through strong research and precision hanging, this third Open Project exhibition was curated by Sam Orchard, Lucy Dixon & Lily Wales. Curator's high 5.

Make Mistakes

Tomorrow marks the final session in this year's Cannon Hill Lectures series at mac birmingham, so I thought it would be fun to go full circle and show you the drawings behind the Cannon Hill Lectures postcards. Because everyone loves an origins story, don't they?

As you can see things don't always go right first time. I tend to re-draw rather than be a rubber-outter as when going over the same drawing a panic can set in, scrubbing away wildly at the paper in an attempt to physically and psychologically erase the fact that you made a mistake in the first place. Making multiple drawing attempts simply becomes akin to re-drafting an essay, or holding a scratch night on the way to a finished performance; constructive and clear-headed ways to naturally advance a creation.

In the last year I've grown to understand that my third drawing of the same thing usually turns out the best. Keeping the drawings leading up to your favourite is a good way of reminding yourself that it's okay if it doesn't come out successfully first time round, and sometimes these stepping-stone drawings are absolutely charming in their own way, like the bizarrely cheerful floating pig head above. (Hey little buddy!)

With layered compositions it's best to think of each part of the design as an individual atom, a smaller part of the whole design molecule, and so on. That way if one element breaks down, the whole structure doesn't crumble. One thing I'm learning to do is keep elements of an illustration separate so they can be easily altered, moved, changed or adapted, be that physically or digitally.




I think it's all too easy to look at a finished article of any kind and detach yourself from the process leading up to it. We'd all be forgiven for forgetting creative things didn't just happen that way, especially when some people make it look so effortless. Acknowledging and accepting mistakes brings with it a sense of comfort towards your own abilities as well as the potential for further growth, and is something which can so easily be overshadowed by that strong desire we all share ~ to make something good. Making something good is okay, but in my opinion to make something great, you have to make mistakes first.